Not too long ago the excellent screenwriting blog ("Rouge Wave") was hammering the importance of reading widely, not just scripts and newspaper/magazine articles, and non-fiction books but (sigh) novels.
Fifty three percent of America does no literary reading. Am I surprised? Surprised that the number isn't higher. Right around the time the Chicklet was born, books--fiction anyway-- got evicted from my life. If you want to be technical about it, I did read the last Harry Potter because I just had to know if Harry died or not before someone spoiled it for me...but I gulped it down in seven days, and it felt more like an assignment than a leisure choice.
My readingless life, J.K. Rowling apart, wasn't for lack of trying. Several times I reopened the book that I'd been reading when Chicklet was born, only to close it after a few paragraphs. (I have a hang up about "giving up" so I couldn't give myself permission to start reading something else.) This is how it came about that since 2006, okay late 2005, I've been reading "The Fortress of Solitude" by Jonathan Lethem.
On reflection, this is not the book you want to read when you're pregnant or a new mom. It has a shifting point of view and then, just for good measure, in the final section, a shift in narrative voice altogether. It's beautifully written overall, Lethem sure can turn a phrase, but as a story it lacks narrative punch and cohesion.
I was drawn to "Fortress" because it's a Brooklyn book and as a relatively recent transplant I was curious to peel back the curtain and glimpse a Brooklyn/Boerum Heights on the cusp of gentrification in the early '90s.
Lethem also examines race and the "other" which is a favorite, thematically for me. Plus, unexpectedly, his book contains, in its final segment, a gem of a scene that has his protagonist pitching to a Dreamwork exec: a hilarious must-read for screenwriters.
I finally got through it on April 17, 2009 and though I was relieved at the milestone I was more moved by the general experience of what it meant to read again. It was like a part of my life came back. Novelists used to be rockstars for me. Colson Whitehead, Jonathan Frantzen, Caryl Phillips, Jonathan Safran Foer, J.M. Coetzee, Zadie Smith...oh how I wanted to be her, living in my Williamsburg apartment writing transcendent things. My first job interview in the "big city" was for a position with PEN America but reading a novel became such a luxury in terms of parceling out my time that in due course it fell away.
But it shouldn't have. Because as a screenwriter nothing builds your chops for appreciating character and the world of the story like a novel. I can't remember which novelist said it, but a screenplay is like a bouillon cube while a novel is the whole stew.
The big question is what I read next. Having not read anything for three years it's wide open. Maybe I'll check out Junot Diaz's "The Brief Wondrous Life of Oscar Wao" ( I was so tempted to cheat with it during those can't read Lethem days) or maybe I'll just pick up Jhumpa Lahiri's "The Namesake" which has been in the corner of the office since hubby stopped reading it. (I've heard mixed things about the novel but, hey, in these economic times you can't beat "free" as a price point or "already in your house" as a location.)
And apparently I'm not alone in rediscovering reading. According to a new NEA report, for the first time since 1982, there's been a rise in the number of people who picked up a book or downloaded some prose — almost 16.6 million more since its 2002 census.
3 comments:
Might I also suggest "The Boy Detective Fails" by Joe Meno. Desert Island Top Five, easy.
Thanks Michael. I'll check it out. Interesting cover art on it, which, in case you couldn't tell from the Lethem book, tends to suck me in.
Congrats on finishing "Fortress"! "Oscar Wao" is pretty delightful -- if you like Zadie, I think you will like this too.
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